
Located between two large towns in Ireland, is a little nondescript hamlet filled with traditional Irish homes, a graveyard, and several working farms.
Bungalows and detached homes dot the landscape but hidden away in the heart of this community amongst overgrown foliage are two signs hanging on green metal sheeting stating, “BUILDING IN PROGRESS ENTRY PROHIBITED”.
Behind these overgrown trees and bushes, an abandoned Art Deco style mansion stands, a forgotten vanity project of a bygone era. It’s striking curves and brutal exposed concrete stand in sharp contrast to the traditional homes that surround it.
On a first glance down the long driveway and garden, most people would assume this building is an incomplete folly or vanity project, but on closer inspection, you can see there’s a lot more to this building than first meets the eye!
Walking across the double ponds at the entrance, you enter a room with a seemingly normal appearance with a piano is perched in a corner with an unusually shaped window above it. Behind you, there is a fireplace in the shape of a vulva surrounded by 3 more vulva shaped windows.
In another corner of the room, there is a mesh wire art installation. Our interpretation of it is four deer watching on as humans slowly appear from the ground.
At the end of this room there are two sets of steps. One going to the roof and one leading to a long tunnel underground that loops around the property. The steps leading upstairs take you to another room with another vulva fireplace and even more vulva shaped windows. There is at least four of these fireplaces in the building. The rest of the building has many references to the female anatomy in its semi-complete state.
Locals have said that construction on the property started in the 1970s and stopped over ten years ago due to the site not having the any planning permission. Unused construction material still exists on the site today.
As this house has so many unusual features and art inside it, many rumours and speculation exist about this complex and its owner. Theories online include that this building is a temple used for rebirthing rituals. This theory branches from the unique building’s curves, which allow you to flow from one section to the next, until all elements of the ritual are complete before emerging out of the water at the front of the property onto land.
Locals refer to the building as the “Cult House” and some even mention seeing a man donning a white cloak enter the site on a semi regular basis. Someone is at least maintaining the grass as it was recently cut on our visit.
There are even reports of a child being murdered and buried on this site, but while researching this Art Deco mansion we didn’t find any evidence to corroborate this.
Not everyone has spoken negatively about the complex though, with residents from nearby towns saying that it is a celebration of the female form and female sexuality.
Due to the overemphasised design of the vulvas, we initially thought the house was a nod to Sheela na gigs. Sheela na gig is a term used to describe a type of carving or statue that typically depicts a naked woman who is displaying her genitalia. They are primarily found on the exteriors of medieval Irish churches and castles and are thought to have been used as a symbol for fertility and protection. The exact purpose of these carvings is unclear, and they have been the subject of much debate and interpretation over the years. They are believed to date from the 10th to the 17th century, but this complex only ever references the vulva and not the woman as well.
These days, nature has started to reclaim the building and site with bushes starting to cover the entrance to what is now known as the “Vagina House” in the urbex community.
Normally we end these reports by saying we hope this mansion is restored to its former beauty, but we don’t think this had any to begin with! If it ever does go on the market, we would love to see the estate agent listing!
Article Update – January 2026
In early 2026, photographer and fellow urban explorer Michael Mc Evoy made a return visit to the “Cult House”, uncovering a few new nuggets of local lore. On his first trip to the site, Michael encountered two retired building contractors pumping out a flooded basement. During that visit, the men even answered a phone call from the elusive owner. They shared some curious details, telling Michael that the owner always dresses from head to toe in white and has been known to swim naked in the estate’s artificial lakes during the summer months.
On his latest visit, Michael also spoke with an elderly local man who confirmed at least part of this legend. The neighbour claimed he had met the owner several times and had always seen him clad entirely in white. He further suggested that the bizarre complex has stood on the site since the late 1970s. Some locals, however, are frustrated by the trespassers and late-night parties the property attracts, and the man even recalled nearly being attacked by two youths on the grounds. Despite these issues, someone clearly keeps an eye on the place, with the site continuing to show signs of upkeep and the flooding actively being addressed, suggesting ongoing involvement by the owner or his associates.
Michael’s photographs, some of which are featured below, capture the Cult House in its current state, highlighting both its enduring quirks and signs of recent maintenance. As a seasoned urban explorer and photographer, Michael documents hidden places like this Art Deco mansion to help preserve their stories. You can follow his work on Instagram at @michaelmcevoyphotography.





Laraize frederic
Bonjour * Pratiquant l’urbex et habitant en France serait il possible de savoir ou ce trouve cette etrange lieu *je pense venir en Irlande debut Juillet Merci
Cillian
Been trying to find this place for ages, can trade for 2 abandoned houses if anyone can tell me the address
Michael
Hi Cillian, did you ever discover where this is? I’ve been researching forever with no luck.
Donna
It’s in ireland
Enda
Yeah, where in Ireland Donna?
Janice Young
This house is obviously intended as a ritual area in honor of a fertility goddess; possibly for initiations into a priestesshood. It’s a shame it was never completed, it is absolutely gorgeous. It should be finished and used by people who love it.
Kevin Flynn
Is not visible in any way and strongly advise against visit especially after dark as now used for escaped asylum seekers, drug trade etc. Better viewed on film.
K Davis
The fact he/they never filed for a permit don’t look innocent, but it should have been finished. The location is beautiful, full of nature, and the new buyer could have went a different direction in the design. Take the strange of a few, and make it spectacular for all.
Diplah
I think was at a party here back in the day. Place is cursed.
Autumn
I would love to form or be a part of a collective to restore and finish this place. It would take several people to work on it and maintain it. Solar power could keep it off the grid. It is beautiful place and needs to be finished and shared with those to appreciate and understand it. I honestly do not see anything dark about it. Its a piece of art that you move about in and just experiance.
John Heron
Went there over the Summer. Absolutely breath taking and still in great condition; aside from two pieces of graphiti (both small) and the piano being a bit wrecked it looked just like the photos. Can’t give out the location myself as I promised not to, but it’s well worth searching for.
Jas
Do you know where in Ireland it is, I’d love to visit it?
Shell
This place is about 10mins drive from our house. We wandered in once about 10years ago and it pops into my head once every and a while but up until now I could never find anything online about it. It’s the most amazing and bizarre place. Definitely worth having a look in person. Would love to know more about it.
Ruth Scott
Yes I did visit it when he was building it back in early 1990.
It had tiles (small) on the walls of different colours of blue. The same were on the floors.
There was chrome fittings everywhere especially around the windows with glass that had a tint of sea colour in it. There was tinted glass on the ceiling surrounded in chrome fittings/casings.
There was figures of mermaids with reflective materials – all in blue. The owner was an architect. He was very nice.
He was in his early 30’s. His family were very wealthy and this was his project. He had planted loads of tress, shrubs and flowers. Both lakes had clear water. I remember him saying that he wasn’t finished building it.
It was very private and didn’t let many visitors come up to see it. Years later I heard he had to abandon it as he didn’t have planning permission.
hazel kirsten
i wonder if all these fittings and tiles were vandalised and stolen…
sad that he never persevered… obviously, he had money – and he is still around…
Ruth Scott
Hi Hazel
No unfortunately not.
The council refused to grant planning permission for the house.
The condition the council imposed on the owner was that if he wanted to leave the building standing he had to strip it completely back to the basic of cement and concrete
It broke his heart when he did this. Destroying such beauty. All his dreams, ideas and thoughts stripped away from the surrounding landscape of pure nature
It was so beautiful when I was in it when he was living there. The ponds/lakes had fish in it. The tranquility and peace was evident and breath taking. The serenity to be at peace with nature and water. That is very hard to create and the owner did create it.
We called it the boat house because of the colours of the sea and mermaids.
Yes the owner’s parents were very wealthy. They lived in Dublin. This was their son’s project. He was a very private man.
I am not to sure if he took photos of his own work before he had to strip it all away. It would be very interesting Hazel if you could contact him and ask if he did.
Currently he comes down to it every 4-6 weeks. He calls into the local shop. Yes he is always dressed in white clothes. Not too sure if it’s normal clothes or robes.
As I said it was beautiful when I saw it – money was no object. The ponds with fish in them, the shrubs, trees and flowers – all blending in with nature.
Inside the work was amazing, very detailed with small tiles of different colours of blue, fittings of chrome, glass like the colour of the sea in windows and ceilings, at the windows there was black netting hanging down at the sides which looked like fishing nets.
In the kitchen all the utensils were made of chrome and blue. Everything matching. Bathroom had a shower with small tiles of different colours of blue, sea colour glass in the windows and on the floor of the shower and chrome fittings. He had a picture on the wall of a woman naked with her legs opened. He didn’t show us his bedroom as he was a very private man
Sad he wasn’t allowed to leave it the way I saw it. My visit was in early 1990 – think it was June 1992 not to sure. That stage he had plans to build more onto the main part of the house
I hope this is of some help to you Hazel
Best wishes Ruth Scott
ACC
Friggin outstanding!!! One of the most pieceful beautiful places I’ve ever seen. The astetics of the grounds, buildings, pools and art are so soothing and pleasing. Its a masterpiece. Breathtaking and I am in awe. How he did it is mind boggling, but whats more important is the emotion he envokes. Im grateful to have at least seen this from afar. Ive curated for many important people in the PNW in the USA and I can see exactly what he did acomplish. I wish him peace after having to abandoned such a great love.